Also known as continuity pass
A skill that reads your scenes and flags continuity problems — vanishing props, unexplained costume changes, location contradictions — as findings you accept or dismiss.
Continuity check is analysis-first: it reads scenes and flags problems like vanishing props, unexplained costume changes, and location contradictions, citing establishing and contradicting lines. You get evidence to fix, not a silent rewrite that guesses which version of the coat is correct in the scene.
Run it after major rewrites, before a table read, and before production handoff -- anytime scenes moved and knowledge or objects might no longer line up. Dismiss false positives; accept findings you agree with. Nothing rewrites the script without your say-so, which keeps authorship where it belongs.
Pair continuity with coverage when you want both machine-assisted diagnosis and a broader read of story clarity. Keep a save point before you act on a long finding list so cleanup stays reversible. Authorship stays with you; the skill's job is to surface contradictions worth human judgment on the page.
No. It is analysis-first: findings tie to establishing and contradicting lines. You decide what to change -- nothing is applied without your say-so.
After major rewrites, before a table read, and before production handoff -- anytime scenes moved and props or knowledge might no longer line up.
Continuity problems such as vanishing props, unexplained costume changes, and location contradictions -- surfaced as reviewable findings, not silent edits.
Both are analysis-first. Continuity targets factual consistency across scenes; Coverage evaluates story clarity and craft for a broader development read.
